Morton Feldman’s Patterns in a Chromatic Field Part Seven
You know, at no point could you consider the music in this aesthetically pretty with its harsh tones. Though I have noticed the piano verging on meandering and limited in its sound while the cello creates all different types of music with the plucking and ‘sawing’. Thankfully, Yutaka Oya (the pianist) picks up the pace near the end.
Posted on October 16, 2012, in Art History Radio and tagged Morton Feldman. Bookmark the permalink. Leave a Comment.
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